News and Events about Chantal Akerman. Work with us in order to make this section as complete as possible!

October 22, 2025 / News

Communiqué

En tant que Fondation Chantal Akerman et Cinémathèque royale de Belgique (CINEMATEK), nous souhaitions prendre la parole à la suite de l’enquête publiée par le site Les Jours qui vise les agissements de Thierry Lounas, actionnaire de FTL, holding du groupe Capricci, dont l’accusent plusieurs anciennes collaboratrices. Nous souhaitons exprimer à la fois notre stupeur à […]

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August 7, 2025 / News

Autumn update

‘Chantal Akerman – Traces’ at MIFF From August 7 to 24 the Melbourne International Film Festival presents an expansive retrospective of 27 of Chantal Akerman’s films, many of which are newly restored and Australian premieres. MIFF retrospective ‘Chantal Akerman – The Long View’ at MoMA MoMA has always supported Chantal Akerman’s endeavors since Jeanne Dielman, […]

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List of Retrospectives

This comprehensive list of Akerman Retrospectives is updated regularly by the Fondation Chantal Akerman…

02/04/2025

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February 24, 2026 / News / Event

‘Chantal Akerman : No Home Movies’ at The Cinematheque in Vancouver

From March 23 to April 29, The Cinematheque in Vancouver, Canada, will organise a retrospective series around Chantal Akerman’s work, titled ‘Chantal Akerman : No Home Movies’. This series will allow the public to (re)discover 18 of her movies, from her very first, Saute ma ville (1968), to her very last, No Home Movie (2015). […]

26/03/2026 > 29/04/2026

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May 16, 2025 / News / Event

Facing the Image at Artium Museoa

Facing the Image is the first exhibition of Chantal Akerman’s installations curated by her artistic collaborator Claire Atherton. Displayed at Artium Museoa, Museum of Contemporary Art of the Basque Country, the exhibition is running from May 30 until October 19 2025.

30/05/2025 > 19/10/2025

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April 9, 2025 / News

Honouring Chantal Akerman: The Directors’ Fortnight People’s Choice

Throughout her career, Chantal Akerman and the Directors’ Fortnight have maintained a longstanding relationship. Their association began in 1975, when she premiered Jeanne Dielman, 23, Quai du commerce, 1080 Bruxelles (1975) at the Cannes’ selection, bringing her a critical and international recognition. Since this initial springboard, the Fortnight has remained faithful to Akerman’s work, selecting […]

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